Cedar House
A 1962 modernist on three quiet acres, designed by a student of Schindler.
A curated index of architecturally significant residences, refreshed monthly.
A 1962 modernist on three quiet acres, designed by a student of Schindler.
Bedrooms count. So does the way a kitchen catches the morning. Pick a mood; the index reorders itself.
Cedar-clad, set fifteen feet back from the tideline.
A working farmhouse, restored room by room over a decade.
Mies-quoting; commissioned by a botanist in 1971.
A floor-through above a 19th-century courtyard.
Three rooms, a stone hearth, a quiet bay outside the window.
A north-light artist's studio with a small garden behind.
A cantilevered cabin reading toward an unbroken ridgeline.
A 1908 brick row house, two blocks from the water.
We tend to talk about a house in the language of acquisition — square footage, lot lines, comparable sales. But the houses worth keeping are the ones we eventually stop measuring.
An essay on permanence, light, and the rooms we end up coming back to.